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Clotilde Tiradritti


She approaches stage arts through multidisciplinary training: dance, theater, object, clown, voice work. After a classical dance training with René Lejeune (Paris Opera / Aterballetto) in Italy, she joined the TIR DANZA, International Research Center and Choreographic Theater at Modena, under the direction of Teri Jeannette Weikel.

As a dancer working with several companies in Italy and in France : TIR DANZA, Adriana Borriello, Isabelle Dubouloz Pierre Doussaint – Les Acharnés, Artemis Danza, Myriam Dooge, Vire Volte – Helen Hoffman, she keeps on developing a creation and pedagogic job thanks to the synthesis of her experiences.

They are not her only inspirations she was also inspired by other artists she met such as Bernard Pico theater, Clémentine Amouroux and Cristina Wistaris Balinese dance, Anne-Laure Poulain singing, the object theater and Bene Borth juggling and Aikido, she’s been practising since 1990 (4th dan).

Since 1994 she has developed choreographies in France and abroad : Oreiller d’herbes,

Errance enquête, Absence, Sur un fil, Empreintes.

It is in the Pierre Doussaint Company (1997 to 2005) that she will meet with many circus artists, and collaborate in the establishment of many shows, as well as to realize multidis-ciplinary projects and urban events.

Clotilde Tiradritti develops a very personal work, supported by a unique dance that empha-sizes a sensory approach to movement, musicality of the body, and the work of imagina-tion. Since 2001 within the Heliotropion company, she’s been developing collaboration with cir-cus artists, directors and musicians.

Anne Laure Poulain (singer and pedagogue) and her research mixing voice and dance inspi-red the performances: Nube de agua, Entrevoix 2X, Study for an urban choreography and Pagina Bianca. With Bene Borth, juggler and dancer graduated from CNAC, Clotilde Tiradritti combines dance with objects and juggling: An nagodo, Elem D.O.or music objects.

Between 2004 and 2005 she was the artistic director of two festivals in Paris (18eme): Bal-lade sous Chapiteau and Ballade in Tur-Binet (street arts, dance, circus and music).

While traveling in Europe and thanks to the collaboration of partners organizations she starts the project Corps de Ville, a study on the body facing an urban context.

In 2015 she directed Dans un frisson électrique with 20 acrobats pupils of ENACR (École Nationale de cirque de Rosny).

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